I love Bazowie! That’s right, I said it. Bazowie! is the ultimate fandom magazine brought to you by the ultimate fandom website Sexyfandom.com What Molly Case and crew brought to the printed pages of their first issue is nothing short of amazing. It is everything we’ve always loved about SexyFandom (the art, the writing, the community of cool) but something live and tangible for your filthy little eyes and hands.
IN this issue we have some great interviews and cultural happenings. I mean we’re talking about Masuimi Max, RazorCandi, Vaughn Belak, Anastassia Bear, and WindID_Lust–PLUS Comic Cons, fashion (wtb R2D2 heels), television, and movies. It is SexyFandom in a bottle (or more accurately, in kick-ass magazine form). There are a lot of great voices here and each of them shines through as one collective Sexy Fandom family.
Not only is the writing engaging and fun, but the photography! Oh, the photography! Masuimi Max’s Morat alongside BlueBlood’s Amelia G and Forest Black? PLUS art by Vaughn Belak and RazorCandi? You’ve got to be kidding me. That’s like putting Michael Jordan with Larry Bird on the 88 Lakers, which was pretty much what the Dream Team Olympics were about…for those who keep score at home. Does that make Jim Phoenix Sir Charles? *shudder* The point is there is plenty to keep all of your visual and mental sensories going and flowing in this high quality ‘sexyfandom in print’.
The price is pretty damn right, too. If you love fandom, sexy or otherwise, you need to do yourself a favour and pick up an issue of Bazowie! I put my money where my mouth is (hard to eat, I am sure…bloody Loonies) and picked up a digital and print version of this. I must say no matter how good the digital version looks, the print is flawless. Such a great quality design and hats off to the entire team.
Ever want to make money writing? Sure, it’s easy, right? Everything from Copywriting to Editing to Screenplay to Novel work just falls into your lap as a writer. Sorta. Everyone thinks they can write. Everyone thinks they can tell the best damn story alive. I’ve got this great idea, kid! All I need is a writer–I’d do it myself, but I’m quite busy, you see. I bet you’d love to see your name on the dust jacket of a #1 best seller!
I’ve got this great idea, kid! All I need is a writer–I’d do it myself, but I’m quite busy, you see. I bet you’d love to see your name on the dust jacket of a #1 best seller!
Do you mind helping me with my life long creative dream of writing a 3000-page screenplay? I’ll buy you lunch!
I want an EXPERT to do this! None of this Mickey Mouse clown crap! I pay top rates–TOP RATES!!!…of less than 1 cent a word.
And the band marched on….
Today’s unrealistic offer comes to me via UpWork aka the ‘Hey, we used to only take 10% of your pay, now we gouge for 25, good luck, fuckers!’ company. There are some great jobs I have found on UpWork (SexyFandom, I’m looking at you!) and some soul crushing utter shite that I won’t mention. I’ve had feature films and novels released via companies looking for freelancers on UpWork. I’ve also had some rather disturbing run-ins with….well…we won’t get into that. I’ll never look at Pool Cleaning the same way again, though.
The work offered today wasn’t targeted, but just on the ‘list of things to browse’ for me. The work seems legit, but a few flags are highlighted. If you need them explained… (less than 1/2 a cent per word, by the way).
I love horror and I love Shudder. Shudder is what my Netflix queue should be and always failed. It is a cheap streaming alternative to ripping off your favorite movies by illegally downloading them and paying the artists jack. Shudder brings so much horror joy to us that if you are still stealing content because ‘you can’t afford’ it then you really need to get off the internet.
This time I heated up Phantasm IV: Oblivion aka “There was a 3rd movie?”. The Tall Man does not disappoint. I think he is the scariest mofo to ever stomp ass on an ice cream man and I know he’s featured in a few of my nightmares as a kid. Angus Scrimm plays the role perfectly. He goes to show that not everyone has to be Freddie to be scary in the 80s. Subtlety kills and this guy slays them all. But not even the Tall Man could escape 2016–the accursed year that took everyone worth staying alive for…
Let’s sit back and remember one old man whose balls you most definitely didn’t want to touch (wait…)
Quick pick for this month after a long absence. Hellbenders is a horror-comedy about a group of Holy people with the sacred mission to take down the forces of evil by any means necessary. The concept here is rather brilliant–only a sinner can truly take the devil back to hell. This group of misfits just might be humanity’s last (and worst) hope to stop the total annihilation of the world.
As my first movie on Shudder, this was a great find. The acting, for the most part, is pretty decent. The premise (as already stated) is brilliant. The stopper here is the writing. The gags sometimes seemed force and there are parts that were best left on the cutting room floor of the writer’s room. With all that said, I stand by my statement–this would make a great Netflix (or Stars) series.
Long time no see. I’ve been busy doing that ‘review for pay’ job I’m a bit fond of, but it’s back to my own review for a quick look at Conjuring 2. Conjuring 2 is the movie The Witch should have been but drastically wasn’t. It is the ‘if you believe, you will be scared and probably have to research most of this on the way home–with the lights on’ type of movie. Hell, even if you aren’t a believer in the after-life, this movie is packed with ‘scares’ that work. The setups are patient things and my hats off to James Wan on this. The payoffs for the ‘monster scares’ are rather sinister in parts.
At one point, I honestly didn’t know who was screaming–the girls on the screen or the ones in the row ahead of me. That is how good this movie is. I did not see it in 3D. I do not know if a 3D version exists, but if it does–you better bet your ass I’ll be in on it.
If you haven’t seen the ‘rebirth of real horror’ (aka Conjuring)–it’s okay (no it isn’t! GO OUT AND SEE IT NOW!). You don’t need to see the first one to enjoy the sequel. Oh, and speaking of sequels I have it from this website that the Nun is getting a treatment of her own. Oh mama…
Normally I review horror stories, and this actually qualifies. It is ‘The Screenwriting Workshop’ and it was created by one of my students in the now defunct Milton Park screenwriting class (gotta love when ‘new management’ comes in and cans everyone whilst also single handedly bending the community over for more money). It is a quick short that addresses a few issues. If I had to logline this something like, ‘It’s a story about a guy who has hit artistically/career rock bottom and his struggle with himself and getting back into the industry.’ conversely it is also a ‘story about a woman who is trying to learn screenwriting but has to confront stereotypes and sexual assault that is rampant in the industry.’
Without any further ado, I bring you Jean-Pierre Huot’s film, ‘The Screenwriting Workshop’.
Before my almost non-existent horror video blogs are boycotted, let me start out by saying, “I like The Witch”. I think it was well done. I think the writing and the acting and everything in between was well done. It works brilliantly as a period piece exposing the all too familiar push of religion in the US. It works brilliantly as a tale about the way society manipulates women and punishes anyone who dares think her body is her own. In that aspect, it is rather well done as horror. The horror of “Sweet Jesus, this is still the time we live in.”
Scary in the sense of “I can’t sleep at night/What was that? Fuck you, cat! Gave me a heart attack!”? No. It just isn’t horror in that sense. It isn’t. Unless you were traumatized by a cult (or any religion) and/or had a really bad experience at a petting farm, well, it won’t be scary to you. The BEST line I have seen describing this movie comes from TheStranger.com The review by Rich Smith was pretty spot on, but the Comment by Michael Crowl is priceless.
“I’m glad she escaped her horrifying family. She’s happy now.” That’s what hit me like a bucket of blood-milk as I walked home from the theater.
You’re both wrong. The Witch is basically Sixteen Candles with a better ending and more goats.” – Michael Crowl
I think it was just a brief moment ago that I wrote about this killer zombie movie from down under. I said zombie genre was the bestest in the whole wide world–except, of course, for possession films. The Vatican Tapes taunted me at my local dvd store (no longer local, boo!) for some time before I broke down and rented it for 99 Canadian cents (that’s like 3 pennies and a Hail Mary for you US peeps). At first I thought I had quite the bargain. The acting–solid. The special effects–nothing to cry about. The concept? A young woman becoming the Anti-Christ while a Vatican team rushes to save her and the world? It’s been done, but the story was engaging.
Then the thing ended.
Ever see a movie that has a lot of promise from cover art to 9/10s of the film done only to completely drop the ball at the end? If not, try watching The Vatican Tapes because that’s exactly what this film did. The fault is 100% directly with the writers. I don’t like to push ‘how to’ books, but fucking hell, someone buy these guys Save the Cat. They followed Blake Snyder’s beat sheets almost perfectly, you know, until they stopped their movie 10 minutes shy. (When I say 10 minutes shy, I literally mean this. The dvd said 91 minutes for the movie. The credit sheet started at 81 minutes. I fast-forwarded through 10 minutes of credits to see if the real ending was anywhere. Nope–just 10 minutes of credits.)
At least I have Age of Ultron (hey, MARVEL, where the heck is my digital copy you promised me?!) to wash this disappointing movie away.
Zombie movies. How I love them. I seriously think the only movie genre that can trump a zombie movie is the possession genre. I haven’t seen anything worth mentioning on the possession end, but darn if I didn’t find a gem on US Netflix. It’s called Wyrmwood: Road of the Dead and it’s a sleeper. I am shocked at how little I’ve heard about this (apparently) award-winning film. Out from the land down under (where beer does flow and men chunder, or so I’ve been told and choose to believe), this gem is what Mad Max should have been (I can’t be the only one to think that the claims of “Furiosa” as a feminist role model is laughable, right?).
The movie is dark. It’s funny. It’s a bit gory (not too much blood, really). It even has a boomerang in it. I mean, need I say more?
Go. Go to Netflix US now and plop yourself down for an hour or two. Play a bit of Men Without Hats or Men at Work, or just have it bloody raining men (hallelujah!). Either way, just press play.
I’m back in Canada for a bit and that means my VPN is stuck on Netflix US. I’m not sure why Netflix Canada has such a poor selection of horror (or even non-horror…). One great gem that is now trending is Inner Demons. Inner Demons is a low budget indy film that, although given low star ratings, is actually damn good.
The premise is simple: A formerly ‘good girl’ turns to drugs to suppress the demon trying to control her body. The writing and acting are both rather strong through most of the movie. The ending (almost) works well. I won’t give spoilers away, but this is one of the few ‘let’s do a mock reality show’ films that I actually watched to the finish. If you are looking for 30000 scares a second then pass this one by, but if you want a horror film that spins from the newspaper reality, then this is your movie.